The First Draft
Get your first draft written with our epic hand-holding six month long course
In case you hadn't noticed yet, writing a novel is haaaaard. And we don't mean walking-up-a-steep-hill hard or having-to-tell-someone-they've-got-cake-on-their-chin hard, we mean like pushing something the size of a watermelon out of something the size of Smarties tube hard. But you know what? Every day, people do it. People have been doing it since the dawn of time. It's one of the reasons that we're so successful-slash-cataclysmic as a species; our ability to do art. It's what we were built for.
Think of this course like hypnobirthing for writers. NCT for novelists. Mothercare for motherfucking wordsmiths. This novel is coming out of you one way or another, we're just here to make the process smoother, calmer, and full of appropriate medication.
This is a badass course for badass writers. You'll start with a plan and finish with a novel. We won't lie: it's full-on. But the results are totally worth it.
AIMS OF THE COURSE
To guide you, step by step, towards a completed first draft novel in six months (or less, or more - it's up to you!)
WHAT YOU WILL NEED
You will need some sort of plan for your novel before we start 'cause we're gonna hit the ground running and get writing pretty much straight away. We’re not going to spend a month or two rehashing the basics of plotting – we’re going to crack on with writing writing writing, taking everything we’ve learnt in Plotstormers and going broader, deeper and wordier. YEAH!
DO I NEED TO HAVE TAKEN PLOTSTORMERS FIRST?
Well, we’d prefer it if you had, but we understand that’s not always possible. So if you already have a plan for your novel and want to join the course, you can, just be aware that we use the Plotstormers format. If you're unsure, give us a yell on [email protected] and we'll help you out.
WHAT YOU GET
Omfg so much stuff!
WELCOME!
THE PLOT SHAKEDOWN
TIMETABLING FTW
YOUR FIRST SCENE
PROGRESS CHECK-IN
BEGINNINGS...
KICKSTART YOUR STORY
A QUICK MIRROR CHECK
INCITING INCIDENTS
INCITE YOUR STORY
PLOTTING CHECK-IN
LA LA LA I CAN'T HEAR YOU
RESEARCH AKA PRODUCTIVE (KIND OF) PROCRASTINATION
TIMETABLING FTW
THE STORY SET-UP
GET SET, GO!
THE FIRST CRISIS
YOUR CHARACTER'S WORST FEARS
PRODUCTIVE PROCRASTINATION
CHARACTER GOALS
CROSSING THE THRESHOLD
INVERSIONS AHOY
DOWNTIME
SECONDARY STORY THREADS
CONNECTING THE DOTS
TWEAKS AND ADJUSTMENTS
THE SECOND ACT
JUMP INTO THE ACTION
PIVOT ON THE MIDPOINT
THE FALSE VICTORY/DEFEAT
REACTING TO THE MIDPOINT
HOW DOES YOUR PROTAG GROW?
DIFFERENT TYPES OF SECOND ACT
TIGHTENING UP A SAGGY MIDDLE
HAVING A TERRIBLE TIME
WHAT IS YOUR CHARACTER LEARNING?
WORKING BACKWARDS
A QUICK PLOT CHECK
PINCH PUNCH
CHARACTER CHOICES
THE LONG DARK TEATIME OF THE SOUL
LAYERS OF BASTARDY
ALL IS LOST CHECKLIST
YET ANOTHER MIRROR MOMENT
ELEMENTS OF NAVEL GAZING
A WORLD TURNED UPSIDE DOWN (AGAIN)
A BRIEF PEP TALK
THE THIRD ACT
PULL YOURSELF TOGETHER
KEEP MOVING FORWARD
RALLY THE TROOPS
HOW'RE THOSE SUBPLOTS DOIN'?
PICKING OFF THE LITTLE GUYS
CRANK UP THE TENSION
BACK TO CHARACTERISATION 101
PLOT REVIEW
#FAIL
SETTING UP THE CLIMAX
SLAYING THE BIG BOSS
HEART-STOPPING CLIMACTIC SCENES
REACHING A SATISFYING CLIMAX
THE HARD SLOG TO THE END
THE WRAP UP
ELEMENTS OF A GREAT ENDING
SWITCH IT UP
TYING UP THE LOOSE ENDS
ENDING STRUCTURE
THE EMOTIONAL ENDING
HEADING FOR THE FINISH LINE
WHERE YOU AT?
HOW DO YOU KNOW WHEN YOU'VE FINISHED?
WHAT TO DO WITH A FIRST DRAFT - PART 1
WHAT TO DO WITH A FIRST DRAFT - PART 2
WHAT NOW?
DEBRIEFING TIME
YOU FUCKING ROCK